Month: June 2018

mirrors: in pluralism, syncretism and construction

Image: The Battle of Algiers (Film) This essay attempts to explore/ deconstruct how Assia Djebar’s socialization informed her literary style in her novel “Children of the New World.” Polarities of praise and criticism Djebar has received, point to how her formative experiences (cultural, political, gendered) have informed the structure and artistry of the novel in ways not often seen in other writers’ works. However, the aesthetic approaches used by Djebar in writing this novel are perhaps equally (more interestingly) derived by how the tools of her socialization aided in achieving her intended goals with this book. Assia Djebar’s Background Born in 1936 in then French Algeria, Djebar was educated at the École Normale Supérieure, and became part of a generation of writers who not only came of age during a series of colonial independence movements, but also whose socialization was shaped by a range of influences — in Djebar’s case, Western, Arab and Berber. The only woman amongst the Algerian literary pioneers of her generation, her work included novels, essays, documentary films and plays, all …